( alternative rock music playing )
♪ People ♪
♪ They don't meana thing to you ♪
♪ They move right through you ♪
♪ Just like your breath ♪
♪ But sometimes ♪
♪ I still think of you ♪
♪ And just wanted to ♪
♪ Just wanted you to know ♪
♪ My old friend ♪
♪ I swear I never meantfor this ♪
♪ I never meant... ♪
♪ Don't look at me that way ♪
♪ It was an honest mistake ♪
♪ Don't look at me that way ♪
♪ It was an honest mistake. ♪
( gunshot )
( screams )
TAYLOR:Jason Kinsey.
He lived in the penthouseon the 25th floor.
( camera shutter clicking )
Shotgun blast.
These footprints definitelybelong to a woman
wearing high heels.
It's not exactly a woman's M.O.to commit this kind of crim.
TAYLOR:Directionalityof these smaller stains
indicate the weapon was probablyfired from outside the elevator.
Okay, so our heel-wearereither shot the guy,
then got into the elevatorand then got back out,
or she was standing right nextto Mr. Kinsey when he died.
And witnessed the whole thing.
Doorman was away from his desk.
And he didn't see anybodycome out,
'cause he was out in the streetflagging a cab.
Comes back in, findsthis in the lobby.
Get the security video.
Done.
Our vic was big in real estate,major holdings all over town.
Top to bottom--high-rises to parking lots.
You don't get that big
in this town withoutstepping on some toes.
Someone was listeningto show tunes.
He doesn't look the type.
Could be registered.
If not to the victim,maybe the mystery companion.
Belt's undone.
Our woman in heelseither knew him
or was about to.
Arts and crafts?
Chopsticks for dummies.
FLACK:Guy has dinner, comes home,gets in his elevator,
figures he's done for the day.
Instead he's done for good.
Captioning sponsored by CBS and CSI PRODUCTIONS
♪ Out here in the fields ♪
♪ I fought for my meals ♪
♪ I get my back into my living ♪
♪ I don't need to fight ♪
♪ To prove I'm right ♪
♪ I don't need to be forgiven,yeah, yeah, yeah, yeah♪
♪ Yeah. ♪
Gunshot residue.
Shooting was up here.
Confirms the shooterwas outside the elevator.
You need a key to access thispenthouse via the elevator,
so the killer must have had one.
Got up hereand waited for the vic.
GSR. No ridges, no prints.
Shooter left through this door,wearing gloves.
So our woman in heels
was in the elevator,saw everything,
and, for some reason,she was allowed to get away.
Now, she was takingthe elevator down.
That's why her bloody shoe prints were in the lobby.
So she was a witness,not a killer.
( cell phone rings )
Bonasera.
Yeah. Okay.
All right, great.
We have a DOAin Central Park.
Hawkes is on it.
But, this time of day,there's no way
I'm going to make it there,so I'm gonna
meet him at the labunless you need me here.
I'm good.
Flack and Ican handle this one.
FLACK:This guy was quite a player.
Blood.
Looks like it's
been here a while.
Circular pattern,and the flaking
at the edge of the dropindicates drying.
Top layer is dust.
It's definitelynot from this shooting.
From the amountof gunshot residue here,
I'd say that theshooter was almost
to the doorwhen he fired.
But there are no shotgun pellets
in the elevator wallwhere the victim was standing.
And the wound wasn'ta through and through.
Either the pellet loadlost its power
or the shooterwas standing ten...
20 yards away.
Which puts himbeyond that wall.
More than one shot?
There's nothingto indicate that.
Our shooter didn't usea conventional weapon.
It's improvised.
Somethingwe've never seen before.
Body's right here.
Come on in front.
Come around here,come around the side.
Not much bloating,
so time-of-death's anywherebetween 24 hours and three days.
There's a lot goingon with this guy.
Swollen throat andpetechial hemorrhaging.
Asphyxiation.
But not bystrangulation.
There's no bruising
or ligature markson his throat.
And no water in the lungs.
So he was DOAwhen he hit the water.
You send blood to Tox?
Just checking.
You miss this?The M.E.'s life?
Yeah, but I likebeing in the field.
In here, all I ever sawwas the victim.
Out there, I see the crime.
I like it in here.
Why is that?
It's quiet.
What's this?
Some kind of ink.
And there's trace on the hands
that looks like paint.
Samples of bothhave gone to the lab.
Same with his personal effects.
The watch?
No, I kept that.
What?It was a nice watch.
We were right.
Jason Kinsey died
from a single shotgunblast to the chest.
The volume
of gunshot residue and burnson the clothing confirm
the weapon was fired no morethan eight feet from the victim.
None of the pellets penetrateddeeper than three inches.
Tox results show high levels
of performance-enhancing drugsin his system.
Steroids?
Viagra.
Mr. Kinsey
was being all that he could be.
According to dental records,he was 54 years old.
His I.D. said he was 42.
You saw the photos in his lobby.
He liked to runwith a younger crowd.
I'll let Danny and Lindsay know.
They're on ourmystery witness.
You and I are goingto establish the weapon
that caused this wound.
We find the weapon,we find the killer.
Mac said I'd find you here.
What do you got?
Did you readthe field report?
Missing weapon,
low projectile penetration,
high residue quotient,missing second party,
iPod, chopsticks, blood.
Did I miss anything?
The missing second partywas wearing size six shoes.
Seven tops.
So we're lookingfor a small woman.
Or a young one.
And the report said
there wasa likely sexual connection.
DOA was in his fifties.
Do you want the elasticor the paper?
I shouldprobably handle
the paper 'cause theremight be something on it.
You done?
Waiting on you.
TAYLOR:The amount of GSRaround the entry is
inconsistent with the depthof pellet penetration.
When the shell'sloose in the barrel,
powder blows outfaster than the shot.
Blow-by-- weakeningthe power of the blast.
A sawed-off maybe,
but this blastis like nothing I've ever seen.
I'll go down to the NYPDProperty Clerk's office.
Pull some possible weapons.
See if we can't find a match.
Good.
No indication heput up a fight.
He was probably dead orunconscious when he went in.
Either way, it's an odd placeto hide a body.
A lake in Central Park?
It's bound to getfound quickly.
Whoever did this must havebeen pretty panicked.
Panicked enough
to leave a nice pieceof jewelry behind.
( cell phone rings )
It's not important.
Let's get an I.D.on this guy.
( electronic music playing )
♪ ♪
Okay. What do yougot, Hawkes?
Mismatched shoes.
Magic markers on the legsto hide holes in the socks.
No keys, except for one,
brand new, tied very securelyon a string.
Empty plastic wallet,except for...
two neatly folded dollar bills.
I'd say a homeless guy, probablyliving where we found him--
in the park.
Park Avenue, maybe.
I've got a really
nice pair of pants, atailor-made shirt, fancy watch.
Traces of paint
and lipstick on the shirt.
I'd say he's a very wealthy guy.
Well, he must'vefound the clothes.
Shoes never lie.
Yeah, well...
this little watch here is worthfour or five grand.
Quite a find for a homeless guy.
Yeah.
Why don't we checkmissing persons?
Someone notices when a guywith money doesn't come home.
By definition homeless people are missing people.
Yeah, well,
I'm going to start with thetailor who made this shirt.
Okay.I'll work on the key.
This evidencegives us a profile
of two completelydifferent people.
Both of whom are right here.
Which identity is real?
FLACK: I went to the NYPD
Property Clerk's officeand I got
as many different barrel lengthsand bores as I could fin.
We know the weapon was betweenfour and eight feet
from Jason Kinsey, so let's...
let's average thisat about six feet.
This cloth will record thegunshot residue pattern.
I'll simulatethe condition
of the shooting using the sameammunition as the killer.
We want a shallow
pellet penetrationand a large volume of GSR.
( gunshot )
FLACK:What do we got, Mac?
TAYLOR:I'm looking for somethingsimilar to this.
FLACK:Short barrel,too wide for the shell.
Too dangerous to bea legitimate firearm.
But what is it?
And who used itto kill Jason Kinsey?
HAMMERBACK:Detective Taylor asked meto call you
if I found anythingin the Kinsey case.
Obviously, this isthe back of his skull.
See these impressions?
Our client here sufferedfrom Paget's disease.
The bone-softeningcondition?
Very pronounced in the cranium.
LINDSAY:Letters?
HAMMERBACK:Imprinted by something
on whatevercaused the lesion
in the scalp.
How long agoyou think this wound happened?
Two or three days, tops.
Maybe whoever did thiscame back to finish the job.
Can you get thiscleaned up, and get
an image upto Will do.
( overlapping chatter )
Nigel Ballantyne.
Oh, sorry.
Rumors of my demise havebeen greatly exaggerated.
I can see that.
I spoke to your tailor,
Amir Sabot,he gave me your name.
You boys playing It's a...
who-would-you-be-if-you-could-be -anyone kind of deal.
( laughter in other room )
I'm lookinginto the death
of a man who was wearingsome of your clothing.
Oh, my God, I know him.
That's Wesley.
Is he a friend of yours?
Had to know hima friend.
well enoughto give him your shirt.
That's how we thoughthe was you.
Guilty as charged.
I lend people stuff.
WOMAN:Hey, guys,what's going on?
Wesley was inan accident.
BONASERA:Did you
know Wesley?
No-- I mean, you know,
he kind of hung around,but I didn't really know him.
BALLANTYNE:He was a bit ofa mystery man.
Always kept to himself.
Where did he live?
His parents had a placein the Hamptons.
He invited us up there
a couple of times,but we never went.
His parentsdidn't really
like people out therewhen they were home.
That's a great shadeof lipstick, so pretty.
Where's you get that?
Bergdorf's, I think...Sheer Pink.
Expensive.
I bet.
Okay, well, thank you very much.
If you can thinkof anything else,
just give me a call.
Yeah, absolutely.
( computer beeping )
MESSER:Letters and a date.
These impressionson Kinsey's skull
were definitely madeby a violent impact.
A plaque, maybe?
The L shape
looks like a corner.
MESSER:The Historical Society
keeps records of thesecommemorative plaques.
LINDSAY:History never made
much of an impressionon me.
Well, lucky it made oneon the victim.
So we're onlya couple of blocks
from the victim's apartment.
Whose name is Kinsey, right?
What's up, man?You work here?
Nah, it's my day off.
So I'm thinkin' what,do I go fishing
off of Sheepshead Bay,
or come hang out in this boxfor a few hours, huh?
MayAll right,all right.ver.
Jason Kinsey-- you know him?
Yeah...
Yeah, thisis his lot.
Does he come by here much?
Yeah, every night.That's his Lexusright here.
MESSER:He have a beefwith anyone?
He had hisfair share.
The guy who ownsthis building.
They've been fighting
over this lotfor years.
Got into it badthe other day.
It turnedpretty nasty.
Really? Got a name?
Oscar Bowers.
No one cares that pieceof garbage is dead.
MONROE:Well, thanks for sharing thatwith us, Mr. Bowers,
but we have to investigatejust the same.
You ever get into a physicalaltercation with Kinsey?
Come on, I could take him withone hand tied behind my bac.
Police blotter says you did.
Two days ago.
He provoked me.
He threw a punch,I threw one back.
I was talking to this girlthe other night,
he gets all possessive on me.
We run into each otheron the street,
we have some words.
That girl...she wouldn't happen to be
on the veryyoung side, would she?
I didn't figure youfor a player, Detective,
but now I look at you,
I can see howyou'd know abouta girl like that.
A girl like what?
You know, these young girls.
They like to come out...and play.
You were talkingabout Jason Kinsey.
He's a real piece of work.
Every day he pulls upto the lot,
leans out of his car,and he waves.
( car horn honking )
Oh, he waves at you every day?
That's the reason why you twoend up throwing punches.
Him and me bid on that lot.
He buys it out from under me,and now he rubs my nose in it.
That's the reason you twostart brawling in the street?
Look, am I glad he's dead?Sure.
Now maybe I can get my handson the lot.
Did I kill him?No.
MONROE:And I'm sure youhave an alibi
for your whereabouts last night.
You'd be right about that.
I was at Nabokov's.
Criminal history checkon Wesley Harding was negative.
Likewise Missing Persons.
It's as if this guydoesn't exist
and the parentsin the Hamptons don't either.
Huh... I just dida mass-spec analysis
on the paint Ifound on his shirt.
I should getan exact color match.
Stomach contents came backon him as well.
Some vegetables...some seafood...
lobster of some kind,probably in a soup.
Lobster...
There's no sign of strangulationon our vic,
yet he died from asphyxiation.
Allergic reaction?
Exactly what I was thinking.
He only ate about ten minutesbefore he died.
I thought you only got to chooseyour last meal
Guy didn't knowit was his last on dmeal.row.
Thus the allergicreaction.
Here we go.
Paint somethingin Central Park,
you use that green.
Assuming he died nearwhere we found his body,
and he ate ten minutesbefore he died...
Right.
He ate that lobstersomewhere nearby.
We just haveto figure out where.
HAWKES:Ten minutes travel, tops.
Average walking speed is what,four miles per hour?
HAWKES:Yes, so he had have beenwithin 1,000,
1,200 yardsof the boat basin.
All right,let's slow him down
to half normal speed.
He was havingan allergic reaction.
HAWKES:Now, the only placehe could have been coming from
is Preston's on the Park.
But why head into the park?
He was trying to get awayfrom someone.
Get somewhere safe.
Somewhere safe...
I've got to gocheck something.
Okay.
This key is brand new.
I'm lookingfor a brand new lock.
MONROE:This girl hasn't been I.D.'das a resident of the building.
And here she isin the lobby
at the same timeas Jason Kinsey.
MESSER:She looks nervous...
playingwith her jewelry.
Could be nerves,but it looks morelike flirting.
See how she'sholding her head,
how she looks at him?
She wants himto look at her.
Then there is this guy,
who came into the lobbya little while before the vic
and the mysterywoman.
Apart from the girl,
he's the only onewe haven't been able to I.D.
So did you findanything on the iPod?
Startup I.D.
had just initials,"MSD."
She's listened to show tunes
for days.
She had a three-song playlistset to play
over and over again.
"Popular,""Defying Gravity,"
"What is This Feeling..."
That's Wicked.
The, uh... the Broadway musical.
Well, I pulled up the paperfrom the chopsticks gadget.
It said "Audition."
She was learningthe songs.
And the audition
is after third periodat Delmore.
We're going to school.
( class bell rings; girls chatting )
( girls continue chatting )
Excuse me?
You mind if I ask you your name?
Melanie Dobson.
MONROE:Your father'son his way.
Did you want us to waituntil he gets here?
MESSER:So, you weretrying out
for the play, right?
Auditioning.
Although I already knowI got the role.
Mr. Jennings, my voice coach,he told me.
MONROE:We found your iPod
at the scene ofa crime, Melanie.
There's thousands of those.
What makes you think it's mine?
DNA sampling.
Fingerprints.
Okay, so maybe it's mine.
So what?
MONROE:Where were youlast night?
At my boyfriend's place.
Would that be Jason Kinsey?
Your father knowswhere you spend your time?
Who I see andwhat goes on in my family
is none of your business.
Well, if it's relatedto a murder, it is our business.
I no ideawhat you're talking about.
We foundchopsticks
on Jason Kinsey's body
with your elastic bandaround them.
That belongs to you, Melanie.
Whatever.
We were at Nabokov's.
Not like that.
Let me show you.
Tie it Okay.e top.
Slide thisbetween the sticks,
all the way up.
Yeah.
Put the sushi slowlyinto your mouth.
You hang out at bars a lot
with guys like Jason Kinsey?
Is there a new lawagainst that, or...
He just seemsa little old is all.
I don't have to explain myself.
Older guys, they have a way,you know?
Makes me feelimportant.
Look, I'm a straight-A student,okay?
I take all AP courses.
I've got accepted
to two Ivy schools,
and I speak Spanish and French.
I've never missed one class.
So after school,I like to go out, you know?
Dress up, have some fun.
MESSER:Why don'tyou just tell me
what happened in the elevator,please?
( sighs )
We got into the elevator,
got to his floor,the doors opened,
there was an explosion,a flash of light.
Okay.
Did you see who fired the shot?
No.
I'm Brad Dobson.
Melanie?
What's going on?
MONROE:Mr. Dobson,
we're questioningyour daughter
about the murderof Jason Kinsey.
These are resultsfrom the blood samples
in the Kinsey foyer.
Unidentified male.
But I also ran the hairfrom the elastic.
Common alleles, right?
Male family member?
How'd you know that?
Something about the wayher father looked at her.
MESSER:We believethat this man
was involvedin the murderof Jason Kinsey.
It's not me.
Looks close.
And given the fact
that you and Kinseywere duking it out
at his placea few weeks ago,
makes you look goodfor the killing.
What are you talking about?
We found dry bloodat the murder scene.
I think it belongs to you.
Why would I kill him?
I don't know.
Maybe the factthat your little girl
couldn't stayaway from him
for beginners.
She's been troublesince she was 12 years old.
You try to set a good example,
try to do the right thing,
but there'stoo much temptation.
Jason Kinseywas a pig.
I went up to his place, sure.
We had words.
We got into it.
Maybe a little bloodwas spilled.
We clear?
But I didn't kill him.
I assume you got an alibifor the night Kinsey was killed?
I was with my wife.
She'll tell you.
She's right outside.
That's your wife?
Yeah, that's her.
Marta.
Ever shoot a gun, Mr. Dobson?
Then you won't mind
if I take a little gunshotresidue test
on yTest away.
So this is the infamousNabokov's.
Bartender had to runa few errands.
Can I help?
Oh, maybe.You here much?
Yeah; Tuesdaysand Wednesdays.
You know Melanie Dobson?
Yeah.She got around.
She keep her nose clean?
When she wasn'tbeing harassed.
She let this guy buy her a fewdrinks and he spent some money.
Not really a high rolleror anything,
but he kind of freaked outon her the other night.
Yeah, I don't think so.
( giggling )
What did he look like?
Just a guy.
Tall? Short? Fat?
Yeah, short and fat.Like I'd remember.
Do you know this guy?
He in trouble with his wife?
No, he was actually killedlast night.
That's a shame.
Yeah, I knew him.He was okay.
He's dead too?
He was in here last night.With me.
I went backto his place.
I was with him all night--awake--
and let me tell you,he didn't go anywhere.
This is in confidence, right?
His wife knows my mother.
Yeah, I remember this guyfrom a couple of nights ago.
He was with these two loudmouth
trust-fund jerks--real winners.
Did he eat any seafoodthat night?
No one gets sickfrom eating here.
No, I just need to knowwhat he ate.
WAITRESS:No seafood. See this note?
He said he was allergicwhen he ordered, but...
both the other guys ordereda lobster bisque.
There are four orders here.
There was a girl with them.
When your guy went to thebathroom, she started
arguing with the othersand she left.
Then... the guycame back,
and he took off and thosetwo jerks went after him.
♪ ♪
So you have no ideawhy Wesley Harding
would have your copy ofthe Bishop Cochran yearbook?
Like I said before,I've never heard of him,
so I couldn'treally tell you.
You know, we're tryingto identify a victim
of a crime here.
I realize you'rea busy man, Mr. Weston,
but maybe a secondto look at a photo?
Okay, sure.
Great.
You do know him.
Uh... since we were kids.
But his name's not Wesley,it's Richard.
Richard Collins.
Last time I saw him,he seemed fine.
He said things were looking up.
He also went to Bishop Cochran?
No, his familycouldn't afford it.
So... the only reasonI went there was
I qualified asa "charity student."
Do the names Nigel Ballantyneor Ben Lowell ring a bell?
Yeah.They were my year.
Silver spoon inthe mouth types.
Gave me hellevery single day.
Richard would have me tellhim stories about them,
and thenhe'd mimic them exactly,
just from mydescriptions.
He just wanted tobe an actor,
and things got tough for him.
Like a lot of guysfrom the neighborhood.
You did well, though.
Yeah, I learned how to fit in.
Learned how to belike them.
Did Richard have a girlfriend?
Abby... Kirhoffer.
This graph tells me thatthe lipstick I found
on Richard's collar is thesame one that you wear.
Been together for a while?
We weren't "tHmm.her" together.
Wow. Yesterday, atNigel Ballantyne's,
you told me you didn'teven know him.
Yet, you were at therestaurant the other night.
Yes, I was there.
And you didn't say anything.
They were laughing at him,saying stuff.
They knewwho he really was
and they wantedto play a joke on him.
So I left.
You just left.
What was I supposed to do?
I didn't want to have to choose
between the people I grew upwith and...
No, you did choose...
and now your boyfriendis gone.
Good choice.
Brad Dobson came upnegative for GSR.
With his wife backinghim up, he looks clean.
Let's go backover this tape.
All these old guys withthese super-young chicks.
I mean, what goes on in a familyto make that seem okay?
You know, look atMelanie and her father.
No love lost there.
MONROE:Here's our mysteryguy, coming in.
And here is leaving.
See how he switches armswhen that woman passes?
He's got somethingin his sleeve.
Let me enhance that.
It's a steering wheellock.
Go to the footage of himentering the building.
So he carries thelock into the building,
and then he conceals it when heleaves-- does that make sense?
A kitchen knife isa kitchen knife
until you stabsomebody with it.
He didn't care if anyonesaw him carrying it
in the building,but he didn't want
anyone to see himcarrying it out.
Could that bethe murder weapon?
( cell phone ringing )
What's goingon with that?
With what?
You always pick up.
I didn't recognize the number.
You expect me tobelieve that?
( grunts )
NIGEL:Well, NewYork's finest.
Yep. Here we are.
We're gonna need to talk to you.
BONASERA:The both of you.
Nigel, what's going on?
Nigel's just finishing up.
Nigel made a statement.
No way.
He's very articulate.
Has us all convincedthat he had nothing to do
with your friend's murder.
You're lying.
Nigel's versionof how it went down.
You know, he's smart enoughto know
that he's got a lot to lose.
Can I read it?
Oh, you'll hear itat your arraignment.
HAWKES:You need anything more
No, I thinkwe've got this
all wrapped up.Don't you, Ben?
Wesley, Richard,whoever--
that guy was a phony.
Hmm. What does that meanexactly?
He was always trying to fit inwhere he didn't belong.
You ever heard aboutthat guy that pretended
to be that famoussinger's son?
You know how stupidthose people felt whenthey fell for that?
Oh, so, that's reasonto kill him?
We weren't tryingto kill him.
We were tryingto have fun with him.
We knew he was a fraudfor weeks. You know,
he fooled a bunchof other people.
When he did itwith us, we figured,hey, let's have fun
with this guy.We were playing around.
I got it.
You're allergic to seafood.
BONASERA: Playing around?
Somebody tells you they're allergic to something,
so you dump it in their food?
It's perfect.
Come on, you guys.Leave him alone.
What do you care? You goingto hook up with that deadbeat?
( chuckles )
Yeah, mix it up--another spoonful. Go for it.
BONASERA: Didn't take him very long to get sick, did it?
Soup a little richfor your taste, Wesley?
Did it ever once occur to youto call an ambulance?
Or was the joke justgetting He left.
We figured he was all right.
No, you followed him.
( sing-song voice ):Wesley, Richard,
whoever you are.
Come on, Wesley.
You can't fool usWesley.
You can't prove I was there.
I can prove you wereat the restaurant,
and I can provethat you tied him up
and threw him in the water.
You know the knotsyou use for climbing?
You used them to tie upyour victim
and dump him in the lake.
Pick him up.
No. He's dead.
All right, pick this up.
Pick him up!
Come on, you ready?
Come on.
Come on, man.
All right, pick him up.
Fitting in.
You're going to be doinga lot of that, Ben.
I'd say for the next15 years.
I constructedthis weapon
using data from a seriesof test fires.
The GSR spread
has virtually the samecharacteristics
as the weapon usedto kill Jason Kinsey.
Also, this shot hasan equally shallow penetration.
Now...
the outer diameterof this pipe...
is identical...
...to the shaftof a steering lock.
By cutting off
the end of the shaft,
and using the other armas a firing pin,
the killer made a gunout of a steering lock.
We've got to find this weapon.
I think I've already seenthe one we want.
What's all this about, anyway?
There are seven setsof keys.
Only six cars, Mike.
Where's the seventh car?
My guess...
is that that's your car, Mike.
Let's go.
Sure.
Keys.
Gunpowder.
You've got no idea howit got like that, right?
It's a mysteryto me, man.
Join the club.
Like I told you, I don't knowanything about it.
I just took that steering lockoff the rack.
There's like a dozenof them, you know.
Anyone could haveput that there.
I took a lookat your record.
You did three years fordomestic assault back in '99.
I paid my debt.
Sure you did.
And then there'sMelanie Dobson.
She humiliated youat Nabokov's last week.
So I'm thinking me and youcan go somewhere more private.
Yeah. I don't think so.
What, I buy you drinks,you just blow me off?
Can you believe him?What a loser.
You piece of trash!
TAYLOR: Then you saw her with Kinsey.
That pissed you off, didn't it?
We got holdof your pay records
for the last six months.
He was docking youfor parking in the lot.
It was policy that you couldpark in the lot on your shift.
Okay, andthen one day
it's this big problem.
So me and the guyswere hoping you'd reconsider
about making us pay.
What do you think, Melanie?
Uh-uh.
Now, go park my car.
Oh...
MELANIE:Run along now.
You were goingto get even,
but with a felony conviction,you couldn't buy a weapon,
so you improvised.
Now you waited for the perfect opportunity.
And then Kinsey pulled intothe lot with his girlfriend.
KINSEY:Let's gofor a drink.
Then we'll go upstairs.
Kinsey had an extra elevator keyon his key ring.
You had a key to operate the elevator.
You had access.
You waited for them in Kinsey's penthouse foyer.
Your shot was meant for Melanie...
but Kinsey walked into your line of fire.
You tried to reload,
but your weapon failed.
You couldn't getthe shell out...
and she got away.
The steering wheel lockwe retrieved from your car
had that shell
with your prints on it.
She deserved to die.
They both deservedto die.
Treating peoplelike they're nothing.
And the girl...
when I shot Kinsey,
she looked right at me.
She didn't even knowwho I was.
Like she'd neverseen me before.
Like I was a nobody.
I bought her drinks.
I checked the maintenancerecords on the Rolex.
Abby gave it to him.
The spoiled richhave big hearts after all.
Hey, ever figure outwho was calling?
Sheldon Hawkes,mind your own business.
Captioning sponsored by CBS and CSI PRODUCTIONS
Captioned by Media Access Group at WGBH access.wgbh.org